Monday, September 18, 2017
Book Review: Leo Durocher: Baseball's Prodigal Son by Paul Dickson
As a baseball player Leo Durocher was an All-Star shortstop, a degenerate gambler and troublemaker, a profane, vicious umpire baiter and bench jockey nonpareil who very much earned the moniker Leo the Lip. As a manager, he presided over one of the biggest comeback pennant-winning teams in history and also one of the biggest late-season collapses in history. He routinely used every vile, offensive racial term, yet he was one of the early champions of integration in baseball and was virtually color blind in assessing talent. He was a selfish, roguish alpha male and a charming, accomplished ladies man. He was a charismatic first-class celebrity, an unrepentant cheater and a member of Baseball's Hall of Fame. The media hated him, but was unable to look away. In short, he was one of the most controversial and interesting baseball personalities the game has ever known.
So it's somewhat surprising that few biographers have taken on his legend. Paul Dickson does so superbly in the recently-released Leo Durocher: Baseball's Prodigal Son.
This is not a hero-worshipping tale. Dickson appropriately stays in the middle. "At his worst Durocher was a cologne-soaked bully with a talent for creating bad situations and, as Brooklyn Dodgers general manager Branch Rickey once said, 'then making them worse,'" he writes. "At his best, Durocher was a brilliant manager with a comic timing that allowed him to play straight man to a talking horse in a 1963 episode of the sitcom Mister Ed."
All the big events are amply covered: the Babe Ruth feud, the rollicking Gashouse Gang years, the revival of the Brooklyn Dodgers, the coming of Jackie Robinson, the suspension, George Raft, Frank Sinatra, Laraine Day, the Shot Heard Round the World season, Willie Mays, the Dodger coaching gig, the Cubs and finally his short-lived job with the Astros.
With an enormous pile of great stories and controversy, both on and off the field, with which to work, Dickson plays it straight and shows remarkable restraint from the urge to go for a more sensationalized account such as Leo and his coauthor used in the highly entertaining--and often fictional-- autobiography Nice Guys Finish Last. Dickson uses his extensive research powers to stick to the facts without moralizing and often corrects the errors, exaggerations and embellishments found in Leo's self-promoting versions.
Dickson shines in illuminating the reasons behind Leo's famous suspension from baseball in 1947. Presented from Leo's point of view, Commissioner Happy Chandler comes off as an Ahab who continues to chase Durocher well into old age--long after either had the legs any longer for a chase-- Chandler unable to ever resist any opportunity to hurl the harpoon. But then, Leo had an inimitable ability to inspire those sorts of emotions.
Cub fans may be disappointed in that Dickson covers the eventful Chicago years in an economical 34 pages, but otherwise there is little to complain about. This book is exhaustively researched, well-written and deserves the title as the definitive Leo Durocher biography.